As a graduate, you will have completed an independent research dissertation and will have an in-depth knowledge of specific areas of film and television studies, including production, circulation and cultural reception. This module introduces you to formal aspects of screen narratives and the language of textual analysis, enabling you to 'read' and illuminate film and television texts. Contemporary Native America is often visible only as a cultural stereotype, making the complexities of contemporary tribal experiences invisible within the American national narrative. You are advised to indicate your reason for wishing to defer entry on your UCAS application. Interdisciplinary Institute for the Humanities, School of Literature, Drama and Creative Writing, School of Politics, Philosophy and Communication Studies, School of Education and Lifelong Learning, THE BUSINESS OF FILM AND TV DRAMA IN THE DIGITAL AGE, LGBT AND BEYOND: SEXUAL CULTURES, QUEER IDENTITIES, AND THE POLITICS OF DESIRE, VIDEOGAMES: THEORY, PRACTICE, AND RECEPTION, AMERICAN ART AND AMERICAN PHOTOGRAPHY 1900-1950, THEY CAME FROM OUTER-THE-CLOSET: GENDER, SEXUALITY AND PANIC IN AMERICAN FILM, OF MICE AND KRAZY KATS: HISTORY AND ART OF AMERICAN COMICS, JAPANESE FILM: NATIONAL CINEMA AND BEYOND, COMICS GET REAL: GRAPHIC NARRATIVES OF AUTOBIOGRAPHY, TRAUMA, AND WAR, QUEERS READ THIS : GENDER, SEXUALITY AND NARRATIVE, Universities Colleges and Admissions Services (UCAS). See above for our IELTS requirements. Overall, by exploring theory in conjunction with queer cultural production that explores questions of power, identity, and desire across different racial, national, and cultural landscapes, the module aims to problematise how gender and sexuality are not stable identities or classifications but are instead processes involving normalisations, hierarchies and relations of domination that can be challenged, troubled and/or queered. PREREQ: FILM 370. One of the longest-established and most prestigious degrees of its kind in the country, our BA in Film and Television Studies will provide you with an opportunity to explore these two hugely influential mass media art forms in depth.Your degree will be focused on those cult hits and global franchises that define the market today. You’ll produce a significant practical work that refers to, and makes use of, relevant theoretical debates and issues, and will also write a critical evaluation of your work. You will gain hands-on experience of turning analogue materials into digital media, drawing on sessions based in UEA’s archives, and use these creations to explore cutting edge digital approaches to media texts. You will also produce an independent research dissertation under staff supervision. In this module you will investigate a range of changing audience practices and cultures in the twenty-first century. In your first year you’ll cover all the essentials in the subject. Students also study the cultural, political, economic, technical and regulatory contexts from which digital communication and media have emerged and in which they continue to operate. The module provides an intensive introduction to the business of film and television; including the development, financing, production, distribution and exploitation of films and television drama programmes. Both contain a wide variety of cutting edge media technologies (editing suites, cameras and sound equipment, sound studio and digitisation suite). Prerequisites: FILM 207 or FILM 208. *HESA Graduate Outcomes 2020. We look at a range of topics that may include: Saturday Morning Television, children’s variety shows, animation, children’s broadcasting, children’s satellite channels, censorship, consumerism, pressure groups and gender. Please refer to Communication, English, Multimedia and Music for additional course descriptions. You must pass year two which counts one third of your final degree classification. You'll also explore the role of marketing systems used to engage specific audiences and how this knowledge is applied in industry market research. And what does the future hold for cultural and creative sectors? Introduction to Film Studies. You’ll have the option to add an international dimension to your studies by applying to spend a semester studying abroad in your second year. FILM 355 WRITING FOR TV (3-0-3)(F). There is no expectation that you should be able to speak Japanese, nor are you expected to be an expert in Japanese cultural studies. What does it mean to bear witness to horrific events graphically? In this module you will be introduced to the key theoretical frameworks and approaches within the tradition of reception studies. Introduction to the theory and practice of film production. Explore art and architecture from the Renaissance to the Age of Revolutions (c.1789). We welcome applications from students who have already taken or intend to take a gap year. What is it like working in the media industries? FILM 370 PRODUCING FOR FILM (3-0-3)(F/S). For further details, visit our Study Abroad section of our website. You must pass year three which counts two thirds of your final degree classification. Have a look at our careers page for an overview of all the employability support and opportunities that we provide to current students. Issues raised will include the impact of new technologies; changing business models; the conflict between commerce and art; entrepreneurship and managing creative people; and the complex and difficult relationships between writers, directors, producers, executives, financiers, and distributors. What needs to be considered when knowledge about atrocities is mediated in photographs taken by perpetrators? Some of our postgraduate students also support teaching after suitable training. It addresses viewing contexts including public spaces such as cinemas, private spaces such as homes, and emerging hybrid spaces. FILM 403 NTVI PRODUCTION (0-6-3)(SU). It offers advanced inquiry into the intersectional fields of feminism, queer theory, and media and cultural studies. Students will take 120 credits (6 modules) across year 2. Alternatively, you’ll be able to continue your academic passion in postgraduate study at UEA. You will focus on developments in Germany, France and the Soviet Union during the 1920s and 1930s, and consider key trends from abstract animation to cinema pur. You will look at the current rise in international popularity of Japanese filmmaking, assessing the importance of cycles of filmmaking, audiences and distribution to the notoriety of Japanese cinema on a global level. Black Art in a White Context: Display, Critique and The Other, Los Angeles Art and Architecture 1945-1980. Combined with what you have learnt on previous modules, you will look at genre in the context of production and consumption, spending around five hours a week in workshops and seminars. Information on tuition fees can be found here. The module also interrogates the mediated forms these identities take, considering the politics of looking and visual culture, the politics of hearing and auditory culture, and the politics of affect, emotions and embodiment. This module introduces a number of artistic and architectural practices that emerged in Southern California after 1945. Film and Television Degrees 122 universities offer 344 courses including Film and Television University course intakes maybe affected by Coronavirus (COVID -19). University Park Campus covers 300 acres, with green spaces, wildlife, period buildings and modern facilities. You will split your time between the university-based seminar and your allocated school, where you will be placed in an appropriate department as a teaching assistant. This tightly focused definition of “world cinemas” is intended to introduce some of the most significant of contemporary world cinemas, while also focusing on those which have had the most influential global histories. Topics will include: Fascism’s use of spectacle, fascist conceptions of utopia, the regime’s use of the past, the relationship between Fascism and modernism, Fascism as a political religion, the cult of Mussolini, urban-rural relations, and empire building. Read about FutureLearn. Addressing these questions from an interdisciplinary approach, the aim of the module is to explore the ways in which gender and sexuality are constituted through a broad array of experiences, practices, and cultural products. Class members will design and build the sets, act, direct, work as crew and as editors on this bi-monthly web series. Produce a bi-monthly soap/sitcom for web distribution in short formats (5 - 8 minutes). UEA has pioneered and remains a leading institution in the study of these media forms. It also sheds light on the people who work on the production of film/TV texts and some of the key features of their collaboration in areas such as directing, cinematography, editing, production design, sound design and performance. Search for other courses below: © UEA. Today more films are made from adaptations than wholly original screenplays. You will produce a short television programme, researching the appropriate genre characteristics, style and narrative to create the final work.

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